Martin Grandits’ art is conceptual, sometimes critical and always ironic. By using humor as a weapon, he manages to bring ease and irony into socio-critical topics. He has established his position somewhere in between hyper pop-culture and high-class art, moving inbetween Tinder and Picasso. By using various media, ranging from sculpture, textile or paint, Grandits finds lots of spaces to transform his wit into art. For the edition GOD HATES BERLIN, he mixes his favorite ingredients into an ironic and critical statement piece of art.
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