In the early 1990s, the first generation of archival-quality inkjet printers appeared, enabling work to be created on a scale that had previously been inconceivable. The performance of personal computers also improved, allowing these high-resolution, full-color images to be generated. During the decade that followed, Paul Brown worked with these systems to create large-format giclée prints. They exist as single frames from yet-to-be-imagined time-based sequences that explore vast, virtual permutative spaces.