William Latham is well known as an early pioneer of generative art through his MUTATOR evolutionary art, created at IBM in the late 1980s and early 1990s. His work, which shows organic, often serpentine, forms, is produced using his "alternative evolutionary software system" (developed with Stephen Todd and team), which Latham uses to pick and breed 3D forms freed from the limits of the human imagination.

His work was widely shown in museums and touring shows in the UK, Germany, Australia, and Japan at that time.

Latham’s work is in the permanent art collections of the Centre Pompidou in Paris, the Victoria and Albert Museum in London, the Gulbenkian Foundation, and the Henry Moore Institute.

Latham is focused on using evolutionary processes to create art centred on the idea of "artist as gardener," an idea that originated from his time as a Henry Moore Scholar at the Royal College of Art in the early eighties, where he created his FormSynth drawings and etchings, which were to become a blueprint for his later Mutator work.

On leaving IBM in the mid-nineties, he set up a studio in Soho and moved into working in rave music, where his organic art had built up a big following in the emerging rave and cyberculture scene. After three years, he and his team of around 70 people then moved into developing games, working with Warner Bros. and Universal Studios. In 2002, they created the hit game THE THING based on the John Carpenter movie, which used his organic style. In 2007, he moved away from entertainment and became a Professor of Computer Art at Goldsmiths, where he restarted his creative collaboration with IBM mathematician and programmer Stephen Todd. They resurrected and extended their old Mutator code and pushed the technology into VR, creating highly novel organic immersive experiences for the public. The VR work has been shown in touring exhibitions in China, Japan, Peru, Belgium, and the UK.

Get in touch for additional information about available works. 

Inquiry

MAGAZINE

EXHIBITION

WILLIAM LATHAM 

Botto is a contemporary autonomous artist whose work explores the relationship between human-machine collaboration and decentralized blockchains. Born and initially programmed by a team of technologists and artists, Botto’s style draws inspiration from centuries-old fascinations with making autonomous creative entities. Combining a unique approach to algorithmic processes and decentralized networks, their art is characterized by the use of generative media and an exploration of the boundaries between man and machine. Incorporating community feedback that rewards participants with proceeds from its sales, Botto challenges notions of authorship and ownership in art, reflecting on individuals' agency over AI systems and who claims the value they create.

Botto has shown work in Miami, Paris, London, Denver, LA, Madrid, Venice, New York, Barcelona, Seattle, Zaragoza, and Zurich. The artist has been part of shows at Sotheby’s, Art Basel, Gazelli Art House, the Museum of Crypto Art, Venice Biennale, Vellum LA, Frieze Art Fair, Certeza, Superrare, Ethiopia, DYOR, Downstairs Brixton, and Feral File. Botto was also featured as a case study at the Creativity Workshop during the leading AI conference NeurIPS and the International Conference on Computational Social Science (IC2S2) in 2022.

BOTTO

Joachim Bosse is a conceptual artist living and working in Berlin. Using hyperrealistic sculptures, typography, and mixed media, he deals with consumerism, the influences of mass media, and the impact of echo chambers and social eco-systems in the digital age. He remixes pop culture and recontextualizes famous iconography in order to question contemporary identities and cultural values. 

Bosse describes his work as public messaging.

JOACHIM BOSSE

Olivera Đurđević (*1977) is an artist from Serbia. While studying Italian language and literature, she found her true calling in the language of music and fine arts. She has recently started exploring AI-generated art and experimenting with different concepts and styles, with a particular interest in post-photography. Đurđević is particularly interested in dissecting topics rooted in both cultural and personal experiences. Alongside AI-generated art, Đurđević practices traditional painting and photography.

Đurđević's work has been curated in group exhibitions such as ObscuraDao that included a showcase at the Mecenate Fine Art Gallery in Rome in 2022. Recently Đurđević and her work were featured in Mina Art Magazine's AI art edition.


Twitter: @pAIperdoll
Instagram: @pAIperdoll

OLIVERA ĐURĐEVIĆ

"In healthy doses, nostalgia can be a warm security blanket that allows us to heal, giving us the strength to take another step forward when dealing with anxieties about the future." – Skye Nicolas

Skye Nicolas is a post-conceptual artist living and working in Seattle, Washington.

Ranging from large format paintings, filmmaking, photography, public space interventions, sculpture, and digital artworks, post-conceptual artist Skye Nicolas blends elegantly composed amalgamations of vivid imagery with familiarity and the skewing of timelines through various means of precisely executed appropriation. His thoughtful method of reassigning of pop culture references reveals a complex interweaving of key components in his work, highlighting concept and composition as core fundamentals.

He investigates the role of memory in the post-internet age through intimate conversation and hidden dialogue wherein nostalgia plays a vital ingredient in defining a recognizable visual language and signature style. The complex interweaving of a conceptually layered armature and a visually poetic distillation process inspires the creation of works that feature a recurring theme that he refers to as Induced Nostalgia. This cerebral phenomenon elucidates the full bandwidth of an induced visceral experience manifested in the transmission and exploration of personal narratives and private myths—inviting us to reflect and reconcile with the powerful forces and events that have shaped our present selves.

Skye Nicolas has shown in New York City, London, Paris, Berlin, Frankfurt, Düsseldorf, Dubai, Singapore, Hong Kong, Calgary, and at the Dallas Contemporary art museum. His work has been featured in Kunstforum International, Whitewall magazine, Vogue España, and Self Service. 

As co-founder of the art collective Organic Material, he has created work for the collective’s collaborative project, Event Horizon, which debuted during the first Art NFT Linz festival at the Francisco Carolinum Linz Museum, UNESCO City of Media Arts Linz, Austria. The work, entitled Somewhere Over The Rainbow, Skies Are Blue, has since been added to the museum’s permanent collection.

SKYE NICOLAS

Michael Tippett (1970) is a Canadian entrepreneur and artist currently focused on the intersection of artificial intelligence and film, video, and the moving image. Working across journalism, creative technology, digital media, and product development, he engages with how AI technologies are reshaping creative industries, the ethical, social, and cultural implications of emerging technologies, and how technology is redefining human experience. 

He has founded multiple technology companies in New York and Vancouver, including NowPublic, the largest citizen journalism network in the world, which had over 300,000 reporters at its peak; led the technology incubator GrowLab and Hootsuite Labs; and served as VP of Business Development at Later.com. Tippett is a co-founder and producer of Pacific Future AI & Film and the founder of AIDEO, which soft-launched in 2024. 

As longtime collaborators, Michael Tippett and Kate Armstrong have exhibited internationally, been commissioned by the Andy Warhol Foundation and Turbulence, and have works held in collections including Rhizome and the Rose Goldsen Archive at Cornell University.

MICHAEL TIPPETT

"I became obsessed with the idea that if we didn't accumulate enough likes on any given day, we would be slaughtered and fed to the next generation of influencers." – Die With the Most Likes 

Mark Wilson, aka diewiththemostlikes, is an Indiana-based artist and writer fueled by humanity's excruciating but willing descent into characterless orbs engineered for aimless consumption and expulsion. His art is birthed from the same blue light that is destroying us all. His undying digital presence has infected the first ever digital art exhibition at DART Milano. 

His work has been exhibited at the Decentral Art Pavillion at the Venice Biennale, the Museum of Crypto Art, the Art Innovation Gallery Times Square Armory Event, and at the ValuArt Gallery in Lugano.

He has four published books, with a fifth coming out in January.





DIE WITH THE MOST LIKES 

Joan Fontcuberta was born in 1955 in Barcelona, where he lives and works. One of Spain's most prominent and innovative artists, Fontcuberta is best known for exploring the interstices between art, science, and illusion. Where science reaches its limits in his works, the imagination frequently finds a creative space in which to flourish. With nearly four decades of prolific dedication to photography, he has developed both artistic and theoretical work, which focuses on the conflicts between nature, technology, photography, and truth.

He has held solo shows at New York MoMA, the Chicago Art Institute, and Valencia IVAM, among others, and his work has been collected by the Metropolitan Museum of Art, San Francisco MoMA, the National Gallery of Art (Ottawa), Folkwang Museum (Essen), Centre Georges Pompidou (Paris), Stedelijk Museum (Amsterdam), MACBA (Barcelona), MNCARS (Madrid), and others. 

Since 2008, Joan Fontcuberta has been the President of the Visual Artists Association in Catalonia.

Get in touch for information about available works. 

Joan Fontcuberta was born in 1955 in Barcelona, where he lives and works. One of Spain's most prominent and innovative artists, Fontcuberta is best known for exploring the interstices between art, science, and illusion. Where science reaches its limits in his works, the imagination frequently finds a creative space in which to flourish. With nearly four decades of prolific dedication to photography, he has developed both artistic and theoretical work, which focuses on the conflicts between nature, technology, photography, and truth.



JOAN FONTCUBERTA

Skygolpe combines various digital and analog elements to create a hybrid result that exists somewhere between the virtual and real worlds. His paintings are obtained by superimposing different layers of physical and digital painting. The acrylic paint deposited on the canvas is confronted with underlying materials and patterns, generating a dialogue that breaks a precise pattern of monothematic definition of painting to embrace new formal and heterogeneous solutions.

Skygolpe has been featured in the Museum of Contemporary Digital Art and the Museum of Crypto Art and continues to be at the forefront of the fine art movement within the NFT space.

Selected Artworks

SKYGOLPE

A primary form of photographic pictoring is the "Chemigramm," which is similar to the photogram and the luminogram. It is based on the reaction of photosensitive paper with developer and fixer and, therefore, on the photochemical reactions. It combines the physics of color (oil varnish, wax, oil) and the chemistry of photography (photosensitive layer, developer, fixer) without a camera, enlarger, or natural daylight.

The Belgian artist Pierre Cordier is the protagonist of this invention. In 1956, he created the first Chemiegramm, and in 1963, the word was protected by copyright. Without ever using a camera, Cordier produces photographs just by designing the photosensitive papers and influencing the process of the photochemical reaction during the time of developing and fixing. Cordier locates the Chemigramm between the genres, between photography, painting, ceramics, and gravure. The term "Chemigramm" describes both the technical process and the picture as well. The principle of randomness, which is much important in his oeuvre, enables many possibilities of design.

Cordier's works are featured in numerous international private and public collections. Over the years, his chemigrams have been exhibited at renowned institutions, including the Centre Georges Pompidou in Paris, the Musée d'Art Moderne in Brussels, the Victoria & Albert Museum in London, and the Museum of Modern Art in New York. Notable acquisitions of his works have been made by the Centre Georges Pompidou in 2008 and the Victoria & Albert Museum in 2010.

PIERRE CORDIER

Heinrich Heidersberger (1906–2006) was a photographer. Just like his medium of choice, which gradually changed from a medium of documentation into an independent medium of art during the course of the 20th century and was marked by introspection well into the 1970s, he, as an artist, continually called his work into question, transcended the technical restrictions with inventiveness and skill, and openly examined the conflict between free and artistic work in his body of work.

He devoted himself to the claim of embracing a new, contemporary way of looking at things early on in his work. Some of his very early impulses undoubtedly date back to the time he spent in Paris. From 1928 to 1931, he studied painting there and experienced what he termed a "sign of fate" when he purchased a used wooden camera at the Marché aux Puces, which later led him to discover the world of photography.

Heidersberger's efforts to convey contemporary expression are also testimony to the vision of the modern arts to unite function and aesthetics, economic, technical and social aspects. Heidersberger never withdrew to an elitist, artistic position that is ultimately without consequences. He decided in favor of a picture language and practice that utilized the new technical opportunities available and actively shaped them as well. Consequently, he has earned the title of master of the modern age par excellence.


HEINRICH HEIDERSBERGER

Crosslucid is an artist collective co-founded by Sylwana Zybura and Tomas C. Toth in 2018. They engage in collaborative cross-disciplinary projects in co-evolution with technology. Their work and research converge around the exploration of the self as a network; intimacy and the potential for pleasurable actualization through the digital sphere; and the re-imagination of human alliances with technology as part of a sympoietic biosphere and universal post-material consciousness.

Through filmmaking, poetic artificial intelligence, multi-layered techniques of collage and assemblage, and experience-led interventions, they create scenarios and build experiential formats that instigate prototyping and rehearsing potential futures and advance metamodern values.



Crosslucid's work has been exhibited and showcased by iMAL, Vellum LA, Epoch.Gallery, The Osaka Museum of Fine Arts, SXSW, AI Biennial Germany, Google Arts & Culture, VR World NYC, wrong biennale, LUX Moving Image, Art Basel Miami and ARD Culture amongst others.

Crosslucid’s work has been published in international books and magazines: Vogue Germany, ZEIT Magazin, Dazed & Confused, Institute of Network Cultures, Modern Weekly, Elephant, British Journal of Photography, Slanted, and Kunstforum amongst others.

In 2023, their physical work CASHED DREAMS was acquired by The Federal Collection of Contemporary Art in Germany; the first artwork co-created with AI to be included in the collection.

CROSSLUCID

Anika Meier is a writer and curator specializing in digital art building EXPANDED.ART. She lives and works in Hamburg and Berlin, Germany, and teaches at the University of Applied Arts in Vienna, Austria, Class of UBERMORGEN, Department of Digital Art.

Among others, she wrote columns for Monopol and Kunstforum, built up KÖNIG DIGITAL for KÖNIG GALERIE, worked with CIRCA and Tezos on Marina Abramović‘s first NFT Drop, and with Herbert W. Franke on his NFT Drop MATH ART on Quantum. She was on the curation board of Art Blocks and is on the advisory board of Haus der Elektronischen Künste in Basel.

She is also a concept artist who creates text-based works that critically reflect value in the post-digital age, such as TWEETS FROM TWITTER, LOST FUTURES and TALE AS OLD AS TIME. She created UNSIGNED (2022) together with Operator, a collection of 100 signatures from women and non-binary artists to reverse the current negative value of the signatures through their transformation into artworks themselves.

Her most recent curated exhibitions include LeeMullican.PCX at FeralFile, Who Is Online? Game Art in the Age of Post-NFTism at HEK Basel (Virtual), Art NFT Linz at Francisco Carolinum in Linz, and Tribute to Herbert W. Franke (co-curated with Susanne Päch).

Her exhibitions have been written about, and her writing has been published in, among others, artnet, Hyperallergic, Monopol, Kunstforum, Spiegel, Tagesschau, and Right Click Save.

ANIKA MEIER

Clare Kenny is a British / Swiss artist and has exhibited internationally at galleries and institutions, including: Kunsthaus Zürich, CH; Kunsthalle Basel, CH; KunsthausBaselland, Muttenz, CH; Kunstmuseum Luzern, CH; Contemporary Forward, Rochdale, UK; AargauerKunsthaus, CH; KunsthausLangenthal, CH; AKKU Emmenbrücke, CH; DOLL espace d’art contemporain, Lausanne, CH; Contemporary Arts Society UK; La Kunsthalle, Mulhouse, FR; commercial galleries such as Von Bartha Gallery, Basel; Wilde Gallery, Basel; VITRINE Gallery, London and Giséle Linder Galerie, Basel, with whom she shows regularly at ART BASEL. She has also been presented at Artissima, Turin, IT; Artgenève, Geneve, CH; Artforum Berlin, DE; The Manchester Contemporary, UK; and Marfa Invitational, Texas, US.

She is listed in SIKART, Lexikon zur Kunst, CH, is a member of the Royal Society of British Sculpturs (MRSS); has twice been shortlisted for the Swiss Art Awards; and was awarded the Kunstkredit Prize from the city of Basel in Switzerland in 2013 and 2017. She was artist in residence at Residency Unlimited in New York, USA (2018), at the Institute for Provocation in Beijing, ProHelvetia, (2015) and the IAAB cite des Artes, Paris (2013). 

Kenny’s large permanent public commission 'Site Unseen' launched in July 2016 and is on view in Basel Switzerland. Her work has a place in many public collections such as ArtUK and internationally renowned private art collections.


CLARE KENNY

Olivier Bodini, a distinguished professor of computer science, currently holds a professorial position at Sorbonne Paris Nord University. Since 2020, he has been leading a digital art team situated at the MSN (Maison des Sciences Numériques), an innovative center located at the core of the university. Under his guidance, the team is engaged in the MunstrA project, which seeks to establish connections between mathematics, computer science, and digital art.

Bodini specializes in tiling theory and the random generation of combinatorial structures. He holds a Ph.D. in pure mathematics focusing on the combinatorial and algebraic aspects of tessellations, along with a habilitation to direct research in computer science with a specialization in Boltzmann generators. These generators utilize mathematical principles to replicate the behavior of intricate systems.

Due to his globally recognized scientific proficiency (awarded a prize by the Académie des Sciences in 2013 for his contributions), Bodini has been crafting advanced algorithms tailored for artistic expression since 2020. His artistic endeavors draw inspiration from particle dynamics, random generation, and tessellation. Bodini specializes in crafting algorithms for visually representing mathematical entities and datasets.

OLIVIER BODINI

Dev Harlan is a New York-based artist working in sculpture, installation, and digital media. His practice explores a range of themes, including landscape, anthropogenic change, and technological consumption. In his work, he uses technology to question itself and the narrative that human societies and technology are somehow separate from the natural world, asking instead, how are they entangled and embedded within each other?

Dev Harlan has exhibited in the US and internationally and has permanent commissions with corporate and private collectors. Dev is a 2020 NYFA Fellowship Finalist in Digital Media Arts and winner of the 2022 Mozaik Artist Grant. Solo exhibitions include those at Christopher Henry Gallery (NY) and Gallery Madison Park (NY). Group shows include NOOR at the Sharjah Art Museum, the New Museum’s IDEAS CITY NY, and the Singapore Light Art Festival. Dev has been an artist in residence at the Frank Lloyd Wright School Of Architecture and the SVA Sculpture and New Media Residency.

DEV HARLAN

Sophie Kahn is an Australian sculptor and digital artist living in Brooklyn, New York whose work challenges technology's inability to capture the unsteady human body. She was born in London and raised in Naarm/Melbourne, Australia. She received a BA (Hons) in Fine Art/History of Art from Goldsmiths College in London, a Graduate Certificate in Spatial Information Architecture from RMIT, and an MFA in Art and Technology from the School of the Art Institute of Chicago.

Kahn has taught at Pratt Institute in New York and Columbia College in Chicago. She has participated in residencies at VCCA, NARS, the Museum of Arts and Design, and Pioneer Works, as well as the Elizabeth Foundation for the Arts Studio Program. Kahn is a Digital and Electronic Arts Fellow at the New York Foundation for the Arts.

Kahn's art has been shown in New York, Los Angeles, Washington, DC, London, Paris, Torino, Melbourne, Sydney, Tokyo, Osaka, Seoul, and Beijing. Recent exhibitions of Kahn's work include "Dematerialized" (online in Mozilla Hubs/VR), "In the Bardo" on Feral File, "Synthetic Corpo-Reality" with MEET Digital Art Center, Milan; "Transfigured" at C24 Gallery, New York; and "Out of Body – Sculpture Post-Photography" at bitforms, New York. 

Her work has been included in numerous festivals, including the Japan Media Arts Festival and Transmediale in Berlin. 


SOPHIE KAHN

Margaret Murphy is an artist based in Los Angeles, California. Murphy earned her MFA from the University of Hartford’s Limited Photography Residency in 2021.

Using mediums that include photography, collage, and AI, Murphy’s work is both personal and universal, exploring topics of nostalgia, femininity, and identity as they relate to the Internet, social media, and technology. She draws from her personal experiences with self-portraiture, popular culture with art that references meme humour, and the effect changing technology has on collective and individual memory.

Her work has been shown in exhibitions in Berlin, New York, London, Los Angeles, and Washington, DC. Murphy has released her work as NFTs through QuantumArt, EXPANDED.ART, SuperRare Spaces, and TranscendDAO.

Her work has been featured in Monopol, Der Greif, and EXPANDED.ART magazine.


MARGARET MURPHY

Rick Silva is a Brazilian-American artist whose videos, websites, and installations explore virtuality, futurology, and speculative ecologies.

His work has been exhibited at institutions including The Centre Pompidou, the Crystal Bridges Museum of American Art, The Modern Art Museum of Fort Worth, and The Whitney Museum of American Art. He has been featured in Artforum, Wired, and Rhizome’s Net Art Anthology. Silva lives in Eugene, Oregon, where he is an Associate Professor at The University of Oregon.


RICK SILVA

Kira Xonorika (1995) is an AI-collaborative artist, author and futurist. Her work explores the connections between sovereignty, ancestry, the future, gender-expansive constellations, magic and regalia. She’s given lectures on her work at multiple universities across the world, including the University of Cambridge and King’s College London and has recently exhibited her work in Los Angeles, New York and Berlin.

KIRA XONORIKA

The conceptual artist Andy Kassier (*1989) lives and works in Berlin. His work includes installations, performances, photography, videos, sculptures and painting. In 2018, he graduated with distinction in Media Arts from the Academy of Media Arts Cologne, where he studied with Mischa Kuball and Johannes Wohnseifer, among others.

In 2013, he created his alter ego Andy Kassier, who ironically breaks the narrative of wealth and happiness in late capitalist society. On Instagram and in international solo and group exhibitions, he continuously develops the long-term performance according to the current zeitgeist. How does photography change in the digital age, when images become the medium of communication and at the same time the medium of photography is expanded through performances and livestreams? In exhibition spaces, Kassier sets up installations and performs and streams live on social media.


Kassier observes phenomena in social media and the development of digital image cultures. Based on his findings, he searches in his artistic work for answers to currently socially relevant questions: What is happiness? (the science of happiness, Pop; 68, Cologne, 2016) How do I become successful? (On the Internet, Nobody Knows You're a Performance Artist. Andy Kassier and Signe Pierce, NRW- Forum Düsseldorf, 2018) How is masculinity portrayed? (How To Take A Selfie, Goethe-Zentrum Baku, Azerbaijan, 2019) How do I accept myself? (Link in Bio. Art After Social Media, Museum der bildenden Künste Leipzig, 2019/2020) What is the role of the artist in the digital age? (palm down, HANZ.studio, Gallery Weekend Berlin, 2020).

ANDY KASSIER

Niceaunties is a surreal world created by a designer and AI artist based in Singapore. Inspired by the women in her family and the absurdity of auntie culture, Niceaunties explores the themes of ageing, beauty, personal freedom, and everyday life using the mediums of generative and digital art. Her perspective on the endearing and sometimes absurd behavior of aunties showcases the auntie culture that is prevalent in Asian communities. Niceaunties empowers women by imagining an alternate reality where aunties can pursue their passions freely. Niceaunties' art is influenced by surrealism, fantasy, and Kawaii culture.

Niceaunties' art has been showcased in various cities globally, including New York City, Tallinn, Berlin, Seoul, Middelburg, and at the 2023 PhotoVogue event in Milan. As a Fellowship artist, her AI video works are presented on Fellowship's 

 project. Her involvement in the art community extends to contributing a piece to Christie's CREATING CONNECTIONS charity auction. Niceaunties' AI video art has been featured in Forbes.

NICEAUNTIES

Trung Bao Nguyen is a multidisciplinary Vietnamese artist, a leading vocal experimentalist, and the founder of Fustic, an award-winning creative studio that originated in Vietnam. His works lie at the intersection of technology and art, sound and image. He is included in the list of Forbes 30 under 30 Vietnam 2020 as one of the most influential individuals in Vietnam for his innovation in design and his exploration of human vocal expression.

He is the co-creator of VOICE GEMS, a bespoke generative system that harnesses the fingerprint-like features found in the human voice to generate digital one-of-a-kind gemstones. Combining his experience with his lifelong fascination with the human voice, Trung is on a journey to explore the human voice with creative technology and design. Along with his collaborator Reeps100, Trung Bao has been collecting earth’s most unique, remarkable, and vulnerable voices for the VOICE GEMS archive. The archive also collects vocal phenomena, expanding to AI synthetic voices and the voices of critically endangered species.

Exhibitions and collaborations include, among others the World Economic Forum (MESSAGES OF HOPE), KÖNIG GALERIE, Francisco Carolinum Linz, W1 Curates, and the Berggruen Institute.



TRUNG BAO

Chris Drange (*1983, Germany) studied at the International Center of Photography in New York and at the Art Students League of New York. Drange received a bachelor’s degree in fine arts in 2015 and a master's degree in painting in 2019 at the University of Fine Arts in Hamburg to pursue, and later obtained his from the same university.

Drange is best known for his use of digital found objects in post-digital paintings of contemporary influencers and social media symbolism. He depicts online images and transforms them into classical oil paintings, often on large canvases. As a statement on authorship and originality, Drange doesn't paint any of his artwork. Instead, he creates sketches from various digital found objects and sends them to an oil painting factory in China, where they are painted by hand on large-scale canvases. The amalgamation of selfies, emojis, and other depictions of social media symbols is central to his art.

Drange's work has appeared in several exhibitions and magazines, such as Kunstforum, Numéro, Weserburg, Benaki Museum, MDBK Leipzig (LINK IN BIO) and KÖNIG GALERIE (THE ARTIST IS ONLINE).

CHRIS DRANGE

Hein Gravenhorst (*1937) is a co-founder of generative photography, a genre of photography that aims to generate logically comprehensible aesthetic structures based on defined programs. This genre was related to Max Bense's Generative Aesthetic, which provided a principle for generating specific operations methodically.

Gravenhorst's contribution to Generative Photography can be traced back to 1968, when he exhibited alongside Gottfried Jäger, Pierre Cordier, and Kilian Breier at the Bielefelder Kunsthaus. The exhibition, titled GENERATIVE PHOTOGRAPHY, defined its program and featured photographers who had an aesthetic principle in common. The aim was to achieve an optional and functional reference of all elements involved in the construction of the aesthetic structure.


Gravenhorst's oeuvre between 1965 and 1972 is particularly noteworthy, with several series featuring rare, unique specimens. Since 2001, he has created purely digital works on the computer as a continuation of generative photography. These images bear no titles or series designations, and the artist deliberately refrains from describing them. He sees them as "energy fields" that enter into spiritual communication with the viewer.


Gravenhorst's works are part of international private and public collections, with the Collection Peter C. Ruppert, Würzburg, 2007 and the MoMA, New York, having acquired his works in recent years. In addition to his artistic practice, Gravenhorst has also turned to alternative medicine as a therapist since the mid-1970s. He currently lives and works in Berlin.	

HEIN GRAVENHORST

Chiara Passa is an Italian visual artist living and working in Rome. Since 1997, Passa’s artistic research has analyzed differences in virtual spaces through a variety of techniques, technologies and devices such as animations, Internet artworks, interactive and site-specific video installations and VR video sculptures. Passa uses these technologies as an artistic medium to explore architecture as an interface and is interested in how space is transformed by the language of informatics.

Passa’s work has been exhibited internationally since 1999. She holds an M.F.A. from the Fine Arts Academy in Rome.


Solo Exhibitions: 

Lively Sculptures, Virginia Bianchi Gallery, 2022
Still Life, Zabludowicz Collection London, 2021
Object Oriented Space, MLAC Museum Rome, 2019
From Live Architecture: Dimensioning, Furtherfield Gallery, London, 2016


Selected Group Exhibitions:

MADATAC XI, Bienal Virtual de Arte de los Nuevos Medios Digitales, Madrid, 2020
Oslo Night Show, House of Electronic Arts Museum, Basel, 2018
InSonic, ZKM | Center for Art and Media Museum, Karlsrhue, 2017
Morphos, Vortex Dome Los Angeles, Curated by Ethan Bach, 2014
AppArtAward, ZKM Center for Art and Medium Museum, Karlsruhe, 2011
Festival A10 Medialab, London, 2008

CHIARA PASSA

Reva Fan is an algorithmic artist based in Shanghai, China. She holds an MA from the Institute of Computing Technology at the Chinese Academy of Sciences. She has worked in the movie-making, VR, and AR industries as an algorithm engineer for many years. Her art, influenced by her expertise in computer graphics and digital media, probes the nexus of human nature and technology, blending traditional cultural motifs with digital formats.

She established the Crypto Art Mutual Aid Association community to support independent crypto artists.

Her work has been sold through Poly and Yongle auction houses and has been shown internationally at Artistanbul Feshane Mediation Biennale, NEORT++ in Tokyo, Ultra Super New in Singapore, Art Basel Hong Kong, and through platforms like Feral File and Art Blocks, among others.

REVA FAN

Richard Nadler (b. 1987 in Penzberg, Germany) is a generative artist who explores identity through potent colors and provocative textures. His work spans latent diffusion, GAN, and code-based techniques. He is most known for his Japanese GenArt Collection on Tezos, which explores his life-long fascination with the culture of Japan, a place he would frequently travel with his late father. Based in Munich, Germany, Nadler splits his time between the digital world, a growing family, and his journey towards unofficial sommelier status.


RICHARD NADLER

Marjan Moghaddam is a renowned digital artist known for her unique and original style of posthuman figuration in 3DCG and critical discourse. A pioneer of the Internet 1.0 era, she has gone viral numerous times with her #arthacks on the Internet and was featured in the BBC documentary WHEN ART GOES DIGITAL. She is a tenured professor of digital art at LIU/Brooklyn where she lives. Moghaddam is an Iranian American immigrant and political refugee.

Notable recent exhibitions include a solo show at MOCDA, Proof of Art at the Francisco Carolinum, Unit London, and solos show at Annka Kultys Gallery and Gazelli Art House. Moghaddam is a recipient of awards in digital art and animation and grants from the likes of the Rockefeller Fund. She was an Adobe artist in residence and was included in Forbes' Best of AR Art.

Her works are held in private, institutional, NFT DAO, & private NFT art collections. Moghaddam has also created high-profile new media public art commissions in Europe, Canada, and the US.




MARJAN MOGHADDAM

Leonie Specht's work mirrors self-optimization, cuteness, and pop culture, among others, inviting the viewer to be a part of a narrow microcosm between reality and fantasy.

A subtle perversion that no longer seems suspicious is manifested in her paintings and works on paper. In her recent practice, the face and facial expressions have become a central theme—from celebrities and plastic surgery to toy dolls and the humanization of animals. Her wide research ranges from the metaphysical world to the mundane. In her work, Specht is looking for common ground where the ordinary and the uncanny merge.

Based in Berlin, she studied abroad at Seoul National University in Korea and the Accademia di Belle Arti di Brera Milano in Italy.

LEONIE SPECHT

Ana María Caballero is a first-generation Colombian-American poet and artist. Her work explores how biology delimits societal and cultural rites, ripping the veil off romanticized motherhood and questioning notions that package sacrifice as a virtue. She is the author of five books and has a sixth volume forthcoming in 2024. As co-founder and curator at digital poetry gallery theVERSEverse, Caballero is transforming the way poetry is experienced, exhibited and transacted.

She has been a speaker at events organized by the University of the Arts London, Sovereign Nature Institute, Untitled Art Fair, JustMAD, AWP, and the International Women of Blockchain Conference. 

Caballero is the recipient of the Beverly International Prize, Colombia’s José Manuel Arango National Poetry Prize, the Steel Toe Books Poetry Prize, and a Sevens Foundation Grant.


Caballero's Pushcart Prize and Best of the Net-nominated work has been widely published and exhibited internationally, among others at bitforms in New York, Gazelli Art House and UNIT in London, Epoch Gallery in Los Angeles, and L’Avant Galerie Vossen in Paris. Her digital poems are held in both public and private collections, including the Museum of Nordic Digital Art, the Museum of Wild Newfangled Art and the Tezos Foundation Permanent Collection.

Recognized as a Web3 poetry pioneer, Caballero's work has been covered by major media outlets, such as ARTnews, LAWeekly, Forbes, Entrepreneur, Elle UK, and ABC España.

ANA MARÍA CABALLERO

Ziyang Wu is a Hangzhou-based artist whose recent practice examines how current technologies, in a cross-cultural context, affect politics, society, and the explicit and implicit relationships between things at both macro and micro levels.

He is the vice department head of the Open Media Department, School of Intermedia Art, China Academy of Art, and is also a former member of NEW INC at the New Museum.

With an MFA from the Rhode Island School of Design and a BFA from the Florence Academy of Fine Arts, his video, AR, AI simulation, and interactive video installations have exhibited internationally, including at the Institute of Contemporary Art (ICA) Philadelphia, Rhizome at the New Museum, Walker Art Center, Rochester Art Center, SXSW, Art Dubai, Hek Basel, Annka Kultys Gallery in London, Eigenheim Gallery in Berlin, Medici Palace, Milan Design Week, M+ Museum, UCCA Center for Contemporary Art, Long March Space, Today Art Museum, Song Art Museum, How Art Museum, K11, and Ming Contemporary Art Museum in Shanghai.

His recent fellowships and residencies include the shortlist of "Future Generation Art Prize" (2023-2024); "The Randall Chair" award at Alfred University (2022-2023); "Kai Wu" Interdisciplinary Studio residency, Media Art Lab, Times Museum (2021); AACYF Top 30 under 30 (2021); Residency Unlimited (2020); MacDowell Fellowship (2019); Artist-in-residence at Institute for Electronic Arts (IEA) (2019); Winner of The ROCI Road to Peace by Robert Rauschenberg Art Foundation (2015).

ZIYANG WU

Brooklyn-based British artist Jon Burgerman has been feverishly creating for over 20 years. His instantly recognisable art has been exhibited all over the world from DIY exhibition spaces to museums to even the White House.

Expressing creativity and having fun are key to Burgerman’s practice. It's his belief that simple creative acts can allow people to change not only their world but the world around them.



Burgerman creates work in a wide variety of media from paint, aerosols, digital, and moving image. Online his gifs have been viewed over 8.5 bn times and he has a dedicated following across social media. 

His work has been exhibited internationally at exhibitions and fairs including the Tate Modern, SG art fair, Art Taipei, WOAW gallery, and the CAC Museum. 

Burgerman has collaborated with brands including Apple, Samsung, Pepsi, Lotte, Snapchat, Instagram, and Nike. He has made vinyl collectible toys, picture books, apparel, fabric collections, inflatables, homeware, sportswear, underwear, and many other things, including NFTs. Burgerman has had six sell-out collections on Nifty Gateway since April 2020 and continues to be a rising star in the burgeoning scene.

SELECTED WORKS

JON BURGERMAN

Harry Yeff (AKA Reeps100) is an ARS PRIX Electronica nominated artist and musician based in London. Yeff’s expertise in vocal musicianship and creative direction has generated an online global following, rendering over 100 million views and recognition as a pioneer of experimental vocalism. In 2018, Yeff completed his third artist residency at Harvard University and is currently part of the Experiments in Art and Technology program at Bell Labs.

Yeff produces work as a response to an ongoing investigation into the evolution of the human voice, art, and science. He has exhibited internationally, from the Museum of Art and Design in New York to the Tate Britain in London, as well as Milan, London and Tokyo Design weeks, SXSW, Miami Art Basel, and Sundance film festival. Yeff has become one of the most decorated and progressive lateral thinkers in the world of voice and technology experimentation.


Yeff harnesses innovative technologies to enhance his creative process and artistic expansion, as demonstrated in his work SECOND SELF whereby Yeff’s expression is augmented in response to his SECOND SELFF’s ability to create new vocal expression. In his latest work and meditation VOICE GEMS, Yeff not only preserves some of the most precious, extraordinary and critically endangered voices on earth but envisions the future of connection and vocal expression at the center of emerging technologies.


Yeff is the executive curator of the A.I. Visionary Initiative for the International Telecommunication Union (ITU), part of the United Nations agency for Information & Communication Technologies. His role as an ambassador for art, technology and voice is highlighted by a global lecture portfolio with notable talks on creativity, the arts and innovation at Google Exec, Davos, United Nations, SXSW, Art Basel Hong Kong, Harvard University, Glastonbury Pyramid Stage and most importantly his old primary school.

HARRY YEFF (REEPS100)

LoVid is an artist duo comprised of Tali Hinkis and Kyle Lapidus who have been working together since 2000. They incorporate media and material to engage a wide range of techniques and processes, including DIY electrical engineering, generative code, fabric, and stained glass. Throughout multiple projects, LoVid maintains a signature visual and sonic aesthetic of color, pattern, and texture density, incorporating glitch and noise. 

LoVid’s work navigates between the handmade and the machine-produced, highlighting the challenges and possibilities of the networked age, particularly a sense of the world that intermixes virtual and physical, permanence and the ephemeral, fantasy and reality, hope, connectivity, and isolation. 

Their generative NFTs have been released on ArtBlocks Curated, and their videos are distributed by EAI. 


LoVid’s work has been exhibited, performed, screened, and presented internationally at, among others, MoMA, Postmasters Gallery, Honor Fraser, bitforms Gallery, SPRING/BREAK Art Show, Parrish Museum, The Jewish Museum, The Kitchen, Daejeon Museum, Netherland Media Art Institute, New Museum, ICA London, and International Film Festival Rotterdam. 

LoVid’s projects have received support from organizations including: Wave Hill, The Robert Rauschenberg Foundation, Graham Foundation, UC Santa Barbara, Signal Culture, Cue Art Foundation, Eyebeam, Harvestworks, Wave Farm, Rhizome, Franklin Furnace, Turbulence.org, New York Foundation for the Arts, Lower Manhattan Cultural Center, Experimental TV Center, NY State Council of the Arts, and Greenwall Foundation.

LOVID

Anna Dart is a multidisciplinary artist, curator, and futurist who focuses on promoting ecological, cultural, and social sustainability through the intersection of new technologies. Her art is known for its minimal style and powerful expressiveness that reflects digital humanism. 

A guest artist at The Picasso Museum and at digital fashion house The Fabricant, Dart bridges traditional art and the Metaverse, finding inspiration in drama, dance, and the architecture of Antoni Gaudí. She has turned her passion for Surrealism into the engine behind the collaborative project Exquisite Workers, promoting co-creation, female empowerment, and artistic patronage since 2020. 

In 2021, Dart curated the first NFT exhibition at the UN. In 2022, she was nominated as the Best Traditional Artist turned NFT Artist at NFT.NYC. In the same year, she won the 1st Claire Silver AI Contest. This led to her exhibiting at prestigious events such as Art Basel Miami, NFT Korea Festival, and NFT Paris with SuperChief NFT Gallery.

ANNA DART

"It’s very difficult, probably impossible, to quantify value in any meaningful way beyond market value, which is also what makes art truly magical." – Jonas Lund

The Swedish artist Jonas Lund creates paintings, sculpture, photography, websites, and performances that reflect critically on contemporary networked systems and power structures. He earned an MA at Piet Zwart Institute, Rotterdam and a BFA at Gerrit Rietveld Academie, Amsterdam.

Lund has been concerned with the emergence of values and the distribution of power in the art market since 2012. He creates his works with the help of algorithms and the viewers, who, for example as owners of the Jonas Lund Token (2018), have voting rights like shareholders in decisions affecting his art and career.




Lund has exhibited globally, with solo exhibitions at The Photographers’ Gallery and Whitechapel Art Gallery, London; KÖNIG GALERIE, Berlin; Steve Turner Gallery, Los Angeles; Växjö Konsthall, Sweden; Showroom MAMA, Rotterdam; Francisco Carolinum, Linz; and at the New Museum, New York. He has also participated in numerous group exhibitions including at Centre Pompidou, Paris; Schinkel Pavillon and KINDL Center for Contemporary Art, Berlin; ZKM, Karlsruhe; Vienna Biennale 2019, Witte De With, Rotterdam; and the Stedelijk Museum, Amsterdam.

JONAS LUND 

Sougwen 愫君 Chung is a Chinese-Canadian artist and researcher, widely considered a pioneer in the field of human-machine collaboration. They explore the marks made by hand and the marks made by machine as an approach to understanding the dynamics between humans and systems.

Sougwen’s work, MEMORY (Drawing Operations Unit: Generation 2), is part of the permanent collection of the Victoria and Albert Museum and is the first AI model to be collected by a major institution. Recently, Chung was recognized as a Cultural Leader at the World Economic Forum, one of four recipients of the TIME100 Impact award, and named one of TIME's 100 Most Influential People in AI.

Chung’s speculative critical practice spans performance, installation, and drawings which have been featured in numerous exhibitions at museums and galleries around the world.

Chung is a former research fellow at MIT’s Media Lab and a pioneer in the field of human-machine collaboration. In 2019, they were selected as the Woman of the Year in Monaco for achievement in the Arts & Sciences and received the Lumen Prize for Art in Technology. They are a featured TED Speaker, discussing their process in post-human collaboration and their project using AI and robots was featured on the cover of Art in America. In 2018, they were an inaugural E.A.T. Artist in Resident in partnership with New Museum and Bell Labs, and were awarded a commission for their project Omnia per Omnia. In 2016, Chung received Japan Media Art’s Excellence Award in for their project, Drawing Operations.

Chung has been awarded Artist in Residence positions at Google, Eyebeam, Japan Media Arts, and Pier 9 Autodesk. In 2014, they were selected as one of the Top 20 New Visual Artists by Print Magazine.

Their work has been exhibited internationally, including at the National Art Center, Tokyo; NTT InterCommunication Center [ICC], Tokyo, Japan; ArtScience Museum, Singapore; MIT Media Lab, Cambridge; The Drawing Center, New York; The New Museum (Sky Room), New York; Museum of Contemporary Art, Geneva; Mana Contemporary, New York, Tribeca Film Festival, New York; The Hospital Club, London; Mutek Festival, Montreal & Mexico City; Sonar Festival, Barcelona. 

Their work has also been featured in The New Yorker, Wired, Art F City, Dazed and Confused, The Creators Project, MASHABLE, Engadget, Business Insider, Fast Company and USA Today. She has spoken internationally at conferences including Global Art Forum, Singapore; World Science Festival, New York; Cannes Lions, Cannes; WSJ's Future of Everything Conference, New York; Tribeca Film Festival Interactive, New York; OFFF, Barcelona; FITC, Tokyo; Internet Dargana, Stockholm; SXSW, Austin; The Art Directors Club, New York.

Sougwen 愫君 Chung is a Chinese-Canadian artist and researcher, widely considered a pioneer in the field of human-machine collaboration. She explores the marks made by hand and the marks made by machine as an approach to understanding the dynamics between humans and systems.

SOUGWEN CHUNG

Olga Fradina is an aspiring generative and digital artist from Ukraine. Olga was educated as a graphic designer, has been successfully engaged in interior design for 20 years, but has always dreamed of realizing herself as an artist. At the beginning of 2022, experiments began with various software in search of their individual handwriting. She loves the element of chance and discovery in generative and procedural work, like the co-authorship of human and machine.



OLGA F

Marco DeAngelis is an architect turned artist who has spent the last two decades investigating digital representation through multiple techniques. AI, with its balancing compositional, photographic, and design characteristics, is now his preferred medium. 

DeAngelis' work has been exhibited internationally in Tokyo, New York City, and Los Angeles, and at NFT Paris and Scope Art Festivals for Art Basel Miami.


MARCO DEANGELIS

Aaron Huey is an artist working across a broad range of imaging techniques, from investigative photojournalism and photogrammetry to augmented reality, virtual photography, AI-driven collaborations, and scanning electron microscopy. With a foundation built on over 30 feature stories for National Geographic—including a Webby Award for Best VR Interactive Design, multiple World Press Photo Awards, and a TED Talk—his practice now centers on post-lens photography and the use of algorithmic lenses. By blending historical photographic techniques and his own photographic archives with contemporary algorithms, Huey uncovers unseen worlds, creating hybrid realities that merge the past, present, and speculative futures.

A three-time Stanford Fellow, including his current role as a Starling Lab Fellow focused on data integrity in visual journalism, Huey continues to challenge and redefine the intersections of art, technology, and media ethics. 

His current work at Amplifier Labs involves leading the Visual Journalism R+D cohort, where he helps prototype new storytelling methodologies for photo-based artists to explore complex societal narratives through photography, mapping, and interactive digital tools. As Founder and Creative Director of Amplifier.org, he has collaborated with artists like Shepard Fairey to create global art campaigns that interrogate power and amplify movements. 

Throughout 2024, Huey has served as the photography mentor for the AVAX ecosystem, helping shape projects to bring on-chain this year.

AARON HUEY

Martina Menegon (b. 1988) is an artist working predominantly with interactive and extended reality art. In her works, Menegon creates intimate and complex assemblages of physical and virtual elements that explore the contemporary self and its “phygital” corporeality. She experiments with the uncanny and the grotesque, the self and the body, and the dialogue between physical and virtual realities to create disorienting experiences that become perceivable despite their virtual nature.

Menegon’s work has been exhibited internationally, online and offline, at festivals, in galleries, and in institutions such as the MAK Museum of Applied Arts Vienna, the NRW-Forum Düsseldorf, Roehrs & Boetsch, Les Rencontres d’Arles, Spark Art Fair, Kunstraum Niederoesterreich, FILE Festival, WRO Biennale, Parallel Vienna, the Virginia Bianchi Gallery, and the House of Electronic Arts Basel.



MARTINA MENEGON

"While brick and mortar buildings are meant to last for centuries, a digital space is refreshed 60 times every second on each visitor's device. It could change 60 times in a second." – Manuel Rossner

Manuel Rossner (b. 1989) is a German artist who has been creating digital spaces and virtual worlds since 2012. In his work, he explores how society and art are impacted by technological advancements. He is best known for his site-specific digital work. Rossner’s virtual reality drawings crash with physical buildings. His intervention focuses on the context of their location and the materiality of the digital. His digital exhibition space New Float is located on the construction site of the Museum of the 20th Century next to the Neue Nationalgalerie in Berlin.

Rossner’s work has been exhibited throughout the world, including the Grand Palais Éphémère (Paris), NTT InterCommunication Center (Tokyo), Hamburger Kunsthalle, Frankfurter Kunstverein, Staatliche Kunsthalle Baden-Baden and Kunsthalle Zürich.


Unsurprisingly This is Rather Hard Work, KÖNIG GALERIE Berlin, 2021
Surprisingly This Rather Works, KÖNIG GALERIE Berlin, 2020
There’s No Feeling Where There’s No Pain, MdbK Leipzig, 2019
Ultralight Beam, 1822 Forum / Float Gallery, Frankfurt am Main, 2017

DYOR, Kunsthalle Zürich, 2022
Nature and State, Staatliche Kunsthalle Baden-Baden, 2022
Do You Miss the Future?, Hyundai Motorstudio Busan, South Korea, 2021
Open Space: New Flatland, ICC Tokyo, 2021
Out of Space, Hamburger Kunsthalle, 2021
Un Palais Augmenté, Grand Palais, Paris, 2021
The Artist Is Online, KÖNIG GALERIE, 2021
Berlin, Augmented Berlin together with Highsnobiety, 2021
Safiental Land-Art Biennale, Schweiz, 2020
Digital Natives – Sculpture, CUBE / Roehrs & Boetsch, Zurich, 2019
Artificial Paradise? KM – Künstlerhaus Graz, 2018
Perception is Reality, Frankfurter Kunstverein, 2017
Unreal & NRW-Forum Extension Building, NRW-Forum Düsseldorf, 2017

MANUEL ROSSNER

Peter Burr is an artist from Brooklyn, NY. His practice often engages with the tools of the video game industry in the form of immersive cinematic artworks. These pieces have been presented internationally by various institutions, including the Museum of Modern Art, the Barbican Centre, Documenta 14, and the Whitney Museum of American Art.

Previously, Burr worked under the alias Hooliganship and founded the video label Cartune Xprez, through which he produced hundreds of live multimedia exhibitions and touring programs showcasing a multi-generational group of artists at the forefront of experimental animation. His practice has been recognized through grants and awards, including a Guggenheim Fellowship, a Creative Capital Grant, and a Sundance New Frontier Fellowship.

He is currently a PhD candidate in video games at Rensselaer Polytechnic Institute.

PETER BURR

Inspired by everyday life struggles, Esra Gülmen's artworks always feel relatable and raise questions about emotions, habits, and ways to love and be loved. Through blending typography and illustration and embracing the visual power of words, she creates her very own world with a less-is-more mindset. A contemporary commentary characterised by simple language, witty humour, and the desire to understand and touch people.

As a member of ADC Germany, Gülmen has been selected four times in a row as one of the ‘200 Best Illustrators Worldwide’ by Lürzer’s Archive Magazine and was invited as a speaker to various festivals such as OFFF Festival, Forward Festival and Pictoplasma Festival. Moreover, she has been sitting on the jury of various design awards including Cannes Lions, One Show and Eurobest. Besides numerous group shows, she has opened solo exhibitions in Amsterdam, Hamburg, Berlin and Istanbul. Gülmen is represented by gallery Pilevneli in Istanbul.



Having studied interior design and having had a career as a designer and creative director in international companies, Esra Gülmen as an artist, seeks to expand the definition of drawing, and redefines the medium while recalling caligrammes of the beginning of the twentieth century.

ESRA GÜLMEN

Danny Franzreb (born 1979) is a photographer who explores the intersection between society and individual identity in his work. His recent projects delve into the transformative effects of mass tourism, urban development, and crypto mining, among other topics. In addition to his photography, Franzreb has been a professor at University of Applied Sciences in Ulm since 2010.


Franzreb's work has been recognized through awards such as the German Photo Book Award and the Emerging Photography Award. His photographs have been exhibited worldwide, including at venues such as the World Heritage Site Völklinger Hütte, the Museum of Work in Hamburg, the Format Festival in the UK, MISC in Athens, and the Aperture Gallery in New York.

DANNY FRANZREB

Daria Rastunina (born 1990) is a Russian multidisciplinary artist. She is a member of the Union of Artists of Russia working with generative methods in art, such as artificial intelligence, through a combination of traditional painting techniques and digital methods.

Rastunina often works with topics that she experiences on her own, with topics that raise the question of a person's appearance, their role and their relationship with the world. Her works draw inspiration from modern life experience, as well as the influence of technology on it. In Rastunina's art, a person is placed in a space between two worlds, nature and technology, with which he is inextricably linked, sometimes being the center connecting them, and sometimes a hostage trapped in his own being.

Daria Rastunina has exhibited in Russia, in the cities of Moscow, Vladimir, Ivanovo, Palekh, as well as in China, London, Indonesia.

DISASSEMBLED TO THE GROUND

LOST BEYOND RECOVERY

AN ENDLESS ILLUSION

DARIA RASTUNINA

Krista Kim is a pioneering artist, and author of the Techism Manifesto, which she has championed since 2014. She has led the movement to merge art and technology to create a humanistic digital culture. Kim's work has gained international recognition for its innovative use of digital mediums, with her MARS HOUSE being the world's first NFT digital home. Her latest groundbreaking work, HEART SPACE, commissioned by Julius Baer for Art Dubai 2024, explores the intersection of biometric technology and digital art.

Kim's work is driven by her belief in the potential of digital technology to connect people, foster mindfulness, and promote unity. She frequently uses AI generative software, LED installations, and real-time biometrics in her art, creating immersive experiences that bridge the physical and virtual worlds. Her work is deeply influenced by themes of digital humanism, meditation, and collective consciousness.

She has exhibited globally in prestigious art institutions such as LACMA, Davos World Economic Forum, Times Square, The Sphere Las Vegas, and Palazzo Strozzi Museum. Krista Kim is recognized as a cultural leader by the World Economic Forum and has recently received the 2024 Excellence in Digital Art Award from the Créateurs Design Awards.

KRISTA KIM

Stephan Vasement is an AI artist who has previously worked with animation and street photography. Vasement explores the dream world that AI is capable of creating. He is actively involved in the world of post-photography and seeks to find new possibilities for incorporating AI.

Vasement's work has been shown internationally in group exhibitions for NFTParis, NFTKorea in Seoul and Scope Art Show during Art Basel Miami.


STEPHAN VASEMENT

Anna Condo is an Armenian, French, and American artist, filmmaker and photographer living and working In New York.

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