Boris Eldagsen’s AI-generated series PSEUDOMNESIA III is a reflection on art history and memory itself—manufactured memories that feel historical but are entirely invented. He fuses the nostalgia of 1940s photography with the evolution of generative and abstract art, creating images that are eerily familiar yet wholly artificial. These are memory-scapes: images from a parallel art history, evoking whispers of both Bauhaus and the digital revolution. Eldagsen teases the eye with familiar echoes, holding up a cracked mirror to both the past and the future. This is visual déjà vu—something that feels as real as it is imaginary.